The World Cinema Project (WCP) preserves and restores neglected films from around the world. To date, 50 films from Africa, Asia, Eastern Europe, Central America, South America, and the Middle East have been restored, preserved and exhibited for a global audience. The WCP also supports educational programs, including Restoration Film Schools; intensive, results-oriented workshops allowing students and professionals worldwide to learn the art and science of film restoration and preservation. All WCP titles are available for exhibition rental by clicking "Book This Film."

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SRI LANKA | 1973



Director: Lester James Peries

WRITTEN BY: Tissa Abeysekera

EDITING: Lester James Peries, Edwin Leetin, Gladwyn Fernando


ADAPTED BY: G. B. Senanayake

MUSICAL DIRECTOR: Premasiri Khemadasa

ART DIRECTOR: J.A. Vincent Perera

STARRING: Gamini Fonseka, Malani Fonseka, Saman Bokalawala, Francis Perera, Mapa Gunaratne, Shanthi Lekha, Trilicia Gunawardene, Thilakasiri Fernando, J.B.L. Fernando, Thalatha Gunasekera, Kumarasinghe Appuhamy, K.L. Coranelis Appuhamy, Barry Whittington, Wijeratne Warakagoda



COLOR INFO: Black and White

RUNNING TIME: 108 minutes

PRODUCTION COMPANY: P.E.E. Anthonypillai for Ceylon Studios

Restored in 2013 by Cineteca di Bologna/L'Immagine Ritrovata laboratory, in association with The Film Foundation’s World Cinema Project, Lester James and Sumitra Peries, the National Film Archive of India, the National Film Corporation of Sri Lanka, Cinemas Ltd. Additional restoration elements provided by Degeto Films. Restoration funded by Doha Film Institute.

Nidhanaya is based on a dark tale by G.B. Senanayake and is considered a milestone film that people, even abroad, admire the most, albeit it is atypical of Lester James Peries’ customary family dramas. The story revolves around a psychotic killer yet is an underlying serious political study on the degradation of a class of society. In 1972 this film won the Silver Lion of St Mark at the 33th Venice International Film Festival and was selected as one of the outstanding films of the year, receiving a Diploma at the London Film Festival. It was also voted as the best film of the first 50 years of Sri Lankan cinema.

My most controversial film is Nidhanaya, which received a very positive reception at the Venice Film Festival. The most accurate critics highlighted that, despite its setting in 1911, this film holds a strong social and political value in denouncing the system. The character is trapped between two cultures: the Western/British one and his culture of origin—he is lost between two worlds. Unable to adapt to either one or the other, he absorbs the worse elements of the two cultures; the society changes and he goes insane.

- Lester James Peries


The restoration of Nidhanaya was made possible through the use of two key elements: a 35mm positive print struck from the original camera negative and held by Degeto Film, and a combined dupe negative preserved at the National Film Archive of India.

The prints were scanned at 4K resolution. After scanning, the image was stabilized and cleaned, and all wear marks were eliminated. Image grading recovered the richness of the original cinematography.  The soundtrack was also digitally cleaned and background noise reduction was applied to reduce imperfections without losing the dynamic features of the original.  The digital restoration produced a new 35mm internegative.

The World Cinema Foundation would like to thank the following individuals and organizations for their support: G R Padmaraj and Cinemas Ltd, National Film Corporation of Sri Lanka, National Film Archive of India, Shivendra Singh Dungarpur, Ravindra and Sam Randeniya, and Hubert Niogret.

Special thanks to Lester James Peries and Sumitra Peries for facilitating the restoration process.

Image: © Courtesy of National Film Corporation of Sri Lanka

HUNGARY | 1939



Director: André De Toth

WRITTEN BY: Tamás Emod, Rezsö Török

EDITING: Zoltán Kerényi


ADAPTED BY: André De Toth

PRODUCER: Béla Lévay

FROM: Hungarian National Film Archive

PRODUCTION DESIGN: Gizella Langermann

STARRING: Bella Bordy (Torma Vica), Mária Tasnádi Fekete (Kártély Gyöngyi), Piroska Vaszary Pletyus (as Vaszary Piri), Gyula Csortos (Filc bácsi), Andor Ajtay, Csiszár István, Károly Kovács, Lali


LANGUAGE: Hungarian with French and English subtitles

COLOR INFO: Black and White

RUNNING TIME: 85 minutes


PRODUCER: Béla Lévay

Restored in 2010 by Cineteca di Bologna/L'Immagine Ritrovata laboratory, in association with The Film Foundation’s World Cinema Project and Magyar Nemzeti Filmarchívum. Restoration funded by Armani, Cartier, Qatar Airways and Qatar Museum Authority. 

André De Toth was a great filmmaker, we are indebted to him for a number of extraordinary films (dating back to his first Hungarian works) and many masterpieces. He fought to make ambitious films and refused to work under a studio contract, thus showing a rare desire for freedom […] One day, following a screening of Round Midnight, De Toth told me, “You made me cry. And it’s hard to cry when you only have one eye.” He comforted and supported me. He was never bitter, he would never have said something like: “Cinema was better when I was making films”. He remained curious, open-minded; he battled for the American Cinematheque on Hollywood Boulevard […] “We’re like passengers driving at full speed on the new highways of communication”, he wrote. “It’s the same road since 1895, only it’s slippier because of the sweat and the blood and with more cracks: each of them a broken dream. These past hundred years have been terrible, yet we’ve enjoyed every single minute of them. As long as this fever, this love for making films survives, nothing will ever change.” On his sets, one big sign read, “Drama should occur in front of the camera, not behind it”, another, “Technology will never replace brains and intelligence”.
(Bertrand Tavernier)


The restoration of Két Lány Az Utcán used the original 35mm camera and sound nitrate negatives preserved at the Magyar Nemzeti Filmarchívum (Hungarian National Film Archive). The digital restoration produced a new 35mm internegative.

Image: © Courtesy of Magyar Nemzeti Filmarchívum (Hungarian National Film Archive)

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