ARTISTS RIGHTS NEWS | ARTISTS, TECHNOLOGY AND THE OWNERSHIP OF CREATIVE CONTENT
08/01/2001The Artists Rights Foundation, together with U.S.C.'s Annenberg School of Communication, School of Fine Arts, and Law School, sponsored a major national conference on ownership and control of creative property. Titled "Artists, Technology, and Ownership of Creative Content," the conference was held in Los Angeles in the spring of 2001. The focus of the conference was how technology, such as digitization, affects the ownership and control of creative property. The conference explored who should have rights to use and change works of creative property and under what circumstances, with an emphasis on how these issues arise in film, music, and the visual arts. The conference brought together artists, performers, producers, distributors, and scholars from many different disciplines to discuss this vital topic. Leading national experts presented cutting-edge issues concerning control of creative content, and a series of panels was held, discussing these problems from many different perspectives. Each panel included artists and performers, producers, practitioners, and scholars.
A key feature of the conference was its interdisciplinary nature. In addition to considering many different types of arts, the conference brought together scholars from different fields, such as communications, economics, history, labor and intellectual property law. The conference also had an international focus, examining law and practices in the and throughout the world.
It is expected that the conference will lead to many published works, both scholarly and non-scholarly. For example, it is hoped that the problems and supporting materials will be published to facilitate further study and discussion. Also, this conference is seen as the first of several programs to explore issues concerning ownership and control of creative content.
Erwin CherminiskyNews Archive
2021
- 3/4/2021 : Sonoma Index-Tribune
- 3/3/2021 : The Film Foundation
- 2/25/2021 : The Film Foundation
- 2/20/2021 : North Africa Post
- 2/17/2021 : The Film Foundation
- 2/17/2021 : HFPA
- 2/16/2021 : Harper's Magazine
- 2/14/2021 : The New York Review of Books
- 2/11/2021 : The Film Foundation
- 2/4/2021 : The Film Foundation
- 1/27/2021 : The Film Foundation
- 1/20/2021 : The Film Foundation
- 1/16/2021 : HFPA
- 1/13/2021 : The Film Foundation
- 1/6/2021 : The Film Foundation
2020
- 12/31/2020 : NFPF
- 12/23/2020 : HFPA
- 12/22/2020 : The Film Foundation
- 12/16/2020 : The Film Foundation
- 12/10/2020 : The Film Foundation
- 12/10/2020 : The Morning Call
- 12/4/2020 : HFPA
- 12/2/2020 : The Film Foundation
- 12/1/2020 : The Digital Fix
- 11/27/2020 : HFPA
- 11/25/2020 : HFPA
- 11/24/2020 : The Film Foundation
- 11/18/2020 : The Film Foundation
- 11/16/2020 : HFPA
- 11/12/2020 : HFPA
- 11/11/2020 : The Film Foundation
- 11/9/2020 : HFPA
- 10/28/2020 : The Film Foundation
- 10/27/2020 : HFPA
- 10/21/2020 : The Film Foundation
- 10/21/2020 : HFPA
- 10/16/2020 : RogerEbert.com
- 10/14/2020 : The Film Foundation
- 10/12/2020 : ITP/ In The Picture
- 10/8/2020 : Turner Classic Movies
- 10/8/2020 : HFPA
- 10/7/2020 : The Film Foundation
- 9/30/2020 : The Wall Street Journal
- 9/30/2020 : The Film Foundation
- 9/30/2020 : The Guardian
- 9/29/2020 : HFPA
- 9/26/2020 : HFPA
- 9/23/2020 : The Film Foundation
- 9/17/2020 : Boulder Weekly
- 9/16/2020 : The Film Foundation
- 9/15/2020 : HFPA
- 9/10/2020 : HFPA
- 9/9/2020 : The Film Foudation
- 9/3/2020 : The Film Foundation
- 9/1/2020 : HFPA
- 8/26/2020 : The Film Foundation
- 8/24/2020 : HFPA
- 8/19/2020 : The Film Foundation
- 8/18/2020 : NYFF
- 8/12/2020 : The Film Foundation
- 8/5/2020 : The Film Foundation
- 8/4/2020 : HFPA
- 7/30/2020 : HFPA
- 7/29/2020 : The Film Foundation
- 7/22/2020 : The Film Foundation
- 7/22/2020 : Press Release
- 7/15/2020 : The Film Foundation
- 7/15/2020 : Press Release
- 7/13/2020 : HFPA
- 7/8/2020 : The Film Foundation
- 7/1/2020 : The Film Foundation
- 6/26/2020 : HFPA
- 6/24/2020 : The Film Foundation
- 6/17/2020 : The Film Foundation
- 6/3/2020 : Dhaka Tribune
- 5/27/2020 : The Film Foundation
- 5/26/2020 : HFPA
- 5/26/2020 : The Hannibal 8
- 4/29/2020 : The Film Foundation
- 4/21/2020 : UCLA Film & Television Archive
- 4/7/2020 : High-Def Digest
- 3/16/2020 : The Film Foundation
- 2/7/2020 : Press Release
- 1/23/2020 : Press Release
2019
- 12/14/2019 : Press Release
- 12/4/2019 : The Review
- 11/6/2019 : GQ
- 11/6/2019 : Jermyn Street Journal
- 10/8/2019 : Press Release
- 9/18/2019 : Art House Convergence
- 9/9/2019 : The Hollywood Reporter
- 8/27/2019 : The Hollywood Reporter
- 8/19/2019 : The Hindu
- 7/24/2019 : Press Release
- 7/17/2019 : Walker Art Center
- 7/15/2019 : MoMA Magazine
- 6/21/2019 : Press Release
- 4/26/2019 : Festival de Cannes
- 4/19/2019 : ScreenAnarchy
- 4/5/2019 : Variety
- 3/25/2019 : Inside Criterion
- 3/10/2019 : Variety
- 3/4/2019 : IndieWire
- 2/23/2019 : IndieWire
- 2/19/2019 : Columbus Underground
- 2/12/2019 : Los Angeles Times
- 2/6/2019 : Press Release
- 1/9/2019 : Press Release
- 1/3/2019 : Box Office Pro
2018
- 12/27/2018 : La Vanguardia
- 12/6/2018 : Press Release
- 11/29/2018 : The Criterion Collection
- 11/10/2018 : The Citizen
- 10/18/2018 : Press Release
- 10/11/2018 : Corriere Della Serra
- 9/11/2018 : Press Release
- 8/21/2018 : The Film Stage
- 8/14/2018 : The Telegraph
- 8/7/2018 : The Village Voice
- 7/27/2018 : Cinema Escapist
- 7/25/2018 : Cinema Escapist
- 7/22/2018 : Cinema Escapist
- 7/10/2018 : IndieWire
- 6/24/2018 : Cinefilia Ritrovata
- 5/1/2018 : Press Release
- 4/25/2018 : CriterionCast
- 4/23/2018 : Milenio
- 4/18/2018 : Festival de Cannes
- 4/2/2018 : Metro
- 3/28/2018 : FilmJournal International
- 3/28/2018 : Parade
- 3/27/2018 : IndieWire
- 2/15/2018 : The New York Times
- 1/30/2018 : Screen Slate
- 1/19/2018 : CriterionCast
- 1/11/2018 : Deadline
- 1/6/2018 : Malay Mail Online
2017
- 12/13/2017 : The Washington Post
- 11/10/2017 : CNN
- 10/19/2017 : Variety.com
- 10/16/2017 : Film Journal International
- 9/25/2017 : Press Release
- 8/31/2017 : Press Release
- 8/22/2017 : Bedford+Bowery
- 8/16/2017 : ComingSoon.net
- 8/13/2017 : Sunday Times
- 8/9/2017 : New York Review of Books
- 8/3/2017 : Deadline
- 7/27/2017 : Globe and Mail
- 7/21/2017 : Moviemaker
- 7/20/2017 : VOA Let's Learn English
- 7/20/2017 : Cinecitta News
- 7/18/2017 : Press Release
- 6/26/2017 : Variety
- 6/16/2017 : Chicago Tribune
- 6/12/2017 : VOA Afrique
- 6/9/2017 : IndieWire
- 6/9/2017 : RogerEbert.com
- 5/31/2017 : Slant
- 5/3/2017 : Festival de Cannes
- 5/3/2017 : Press Release
- 4/24/2017 : The New Yorker
- 4/21/2017 : The New York Times
- 4/7/2017 : The Hollywood Reporter
- 3/15/2017 : Press Release
- 3/2/2017 : Variety
- 2/23/2017 : The Columbus Dispatch
- 2/20/2017 : IndieWire
- 1/19/2017 : Press Release
2016
- 12/21/2016 : Variety
- 11/16/2016 : PR Newswire
- 10/27/2016 : The New York Times
- 9/27/2016 : CNN Philippines
- 9/21/2016 : The Hollywood Reporter
- 9/20/2016 : Press Release
- 8/4/2016 : The Hollywood Reporter
- 7/26/2016 : Press Release
- 7/7/2016 : Press Release
- 7/5/2016 : HFPA
- 7/3/2016 : The Week
- 6/27/2016 : Variety
- 5/31/2016 : Focal International
- 4/30/2016 : The Montclair Times
- 4/20/2016 : Press Release
- 4/7/2016 : The Globe and Mail
- 3/29/2016 : ARTFORUM
- 3/8/2016 : Focal International
- 2/25/2016 : The Hindu
- 1/14/2016 : Press Release
2015
- 11/1/2015 : O Tempo
- 10/27/2015 : Film Comment
- 10/26/2015 : Archive Zones
- 10/19/2015 : Le Monde
- 9/29/2015 : Folha de S.Paulo
- 9/15/2015 : Press Release
- 9/1/2015 : Senses of Cinema
- 8/21/2015 : Indiewire
- 8/14/2015 : Deadline
- 7/23/2015 : The Wall Street Journal
- 6/4/2015 : Press Release
- 6/2/2015 : der Standard
- 5/27/2015 : The Wall Street Journal
- 5/17/2015 : The Seattle Times
- 5/5/2015 : Press Release
- 4/22/2015 : Variety
- 4/16/2015 : The Guardian
- 3/11/2015 : Los Angeles Times
- 2/23/2015 : The Wall Street Journal India
- 1/21/2015 : Press Release
- 1/20/2015 : Indiewire
- 1/15/2015 : Press Release
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